— Photos by Cindy D. Meixel, writer/photo editor
Display cabinets in the foyer showcase mosaic-making tools and materials.
Creative exploration: Dabb’s “Imaginary Archaeology” digs deep
A chickadee takes flight.
Tools of the trade: glass cutters
Hanansen assists a student.
A mosaic mirror on display in the room reflects inspiration.
An art room in the Bush Campus Center was the setting for a two-day workshop, instructed by Hanansen and a popular part of the exhibit’s opening.
A close-up of Karen Kettering Dimit’s “Miss Cucuteni” goddess statue
Gallery Director Lenore G. Penfield joins in the fun offered by the unique “Spyglass” view.
Sager has fun photographing “Spyglass” with her cell phone, while fellow artist Hanansen looks on.
Mosaic goddesses pose following the successful exhibit. From left are Hanansen, Dimit, Lynch and Dabb.
Dabb (foreground) discusses her work, “Howard’s Beach,” with fellow artist Hanansen.
Visitors mingle and maneuver around myriad marvelous mosaics.
“Howard’s Beach” features geological pieces gathered in the North Dakota Badlands.
A closer look at Dimit’s “New York City Water Towers VIII”
Another view through Sager’s “Spyglass” reveals her “Here Be Dragons” work beyond the circle.
Explorations in mosaic artistry: Sager’s spinning “Spyglass” offers viewers alternate views of the works, including her “Terra Incognita” series in the background.
The gallery crowd listens.
Penny G. Lutz, gallery assistant (center), introduces four of the artists: from left, Yulia Hanansen, Rachel Sager Lynch, Karen Kettering Dimit, and JeanAnn Dabb prior to the artists’ talk. (Cynthia Fisher was unable to attend.)
Guests inspect Dimit’s “Miss Kali,” part of her “Subway Goddess Pageant” series. This modern-day Kali carries a cell phone, coffee cup, blow dryer and purse.
Hanansen’s “Jupiter: Great Red Spot” takes viewers beyond one-dimensional images, evoking awe with flow of matter and motion. The work won “Best of Show” in the 2011 Mosaic Arts International competition.
Dimit discusses her goddess pieces with a gallery guest.
A gallery patron takes in Dabb’s “Core: Tintac District” (three pieces on the wall), with her work, “Assay I: Delamar” in the foreground.
A detailed shot of Dimit’s “Miss Cyclades,” with “Miss Bird Lady” in the background
Hanansen’s intricately layered glass artistry and appreciation of astronomy are evident in this detail of “Zirconium Giant: Green Star System.”
A detail of Cynthia Fisher’s “Vladimir’s Circle”
… and featuring Marcellus shale harvested from the artist’s farm in southwestern Pennsylvania
Gazing deeper into a Fisher creation
Another close-up … this one from Dimit’s “Goddess” series
Sager’s love of cartography is obvious in her “Here Be Dragons” piece.
“The Mighty Marcellus Series II,” a work by Lynch exploring Pennsylvania’s fascinating geology and the natural gas industry …
Sager’s “A World Divided,” part of her “Geology Series,” celebrates our native land, stone by stone, with Pennsylvania sandstone as her anchoring medium.
Fisher’s “To Everything There is a Season, Summer” (foreground) mimics the beauty outside The Gallery’s large, signature window.
“Terra Incognita,” mosaic explorations by five artists from five states